[Getting ready to hoist a mounted gun, in Washington Navy Yard(?)]

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[Getting ready to hoist a mounted gun, in Washington Navy Yard(?)]

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Summary

Frances Benjamin Johnston Collection.
No. 32.

Public domain photograph of industrial workers, factory building, work, assembly line, free to use, no copyright restrictions image - Picryl description

A very large dataset of various big guns, howitzers, mortars, columbiads, all types of canon-like things - everything besides machine guns and rockets. This collection as well as all massive collections on Picryl.com required two steps: First, we picked a set to train AI vision to recognize cannon artillery, and after that, ran all 25M+ images in our database through our image recognition network. All media in the collection is in the public domain. There is no limitation on the dataset usage - educational, scientific, or commercial.

Frances Benjamin Johnston (1864-1952) was an American photographer who is best known for her pioneering work in the field of architectural and landscape photography. She was born in Grafton, West Virginia, and after studying art and photography in Paris, she returned to the United States and established herself as a successful photographer. Johnston's work focused primarily on architecture, and she photographed many of the most significant buildings and structures of her time. She also photographed landscapes, gardens, and people, and her work often appeared in magazines such as House Beautiful, Ladies' Home Journal, and Country Life. One of Johnston's most notable projects was her documentation of historic architecture in the American South. In 1933, she was commissioned by the Carnegie Corporation to photograph historic homes and buildings in Virginia, Maryland, and North Carolina. This work resulted in a series of photographs that are now housed in the Library of Congress. Throughout her career, Johnston was also an advocate for women in photography, and she worked to promote the work of other women photographers. She was a founding member of the Women's Professional Photographers' Association and the Photo-Secession, a group of photographers who sought to elevate photography as an art form.

date_range

Date

01/01/1903
place

Location

create

Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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hoisting machinery
hoisting machinery