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![Architecture from "Reise der österreichischen Fregatte Novara um die Erde in den Jahren 1857-1859 unter den Befehlen des Commodore B. von Wüllerstorf-Urbair. (Physikalische und geognostische Erinnerungen von A. v. Humboldt.) [The drawings by J. Selleny. With preface by B. von Wüllerstorf-Urbair.]"](https://cache.getarchive.net/Prod/thumb/cdn8/L3Bob3RvLzE4NjEvMTIvMzEvYXJjaGl0ZWN0dXJlLWZyb20tcmVpc2UtZGVyLW9zdGVycmVpY2hpc2NoZW4tZnJlZ2F0dGUtbm92YXJhLXVtLWRpZS1lcmRlLWluLTEyYmYxMy02NDAuanBn/40/26/webp "Architecture from \"Reise der österreichischen Fregatte Novara um die Erde in den Jahren 1857-1859 unter den Befehlen des Commodore B. von Wüllerstorf-Urbair. (Physikalische und geognostische Erinnerungen von A. v. Humboldt.) [The drawings by J. Selleny. With preface by B. von Wüllerstorf-Urbair.]\"")
Related
Villa Rotunda, in The Architecture of A. Palladio in Four Books containing a Short Treatise on the Five Orders (L'Architecture de A. Palladio en quatre livres... / Il quattro libri dell'architettura) (Volume 1, book 2, plate 15)
Summary
Public domain illustrated book or album page scan, related to architecture, free to use, no copyright restrictions image - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
Date
1520 - 1600
Source
Metropolitan Museum of Art
Copyright info
Public Domain Dedication (CC0)
