View of Amsterdam (Vue d'Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from 'Views of seaports' (Vues de ports de mar)

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View of Amsterdam (Vue d'Amsterdam), a tower and houses to left, men standing on the pier to right, many ships in the port in the background, from 'Views of seaports' (Vues de ports de mar)

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Public domain scan of 16th-17th century print, free to use, no copyright restrictions image - Picryl description

Florentine artist Stefano Della Bella was among the best etchers of the Italian Baroque. He created about 1,050 prints and thousands of drawings. His earlier work was greatly influenced by the French Jacques Callot (1592-1635) who worked for the court of the Medici. Three of Stefano’s older brothers were artists. Della Bella probably learned etching from Remigio Cantagallina (1582/3-1656), who had been Callot’s teacher. Della Bella’s earliest prints date from around 1627. Della Bella received the patronage and a stipend from Lorenzo de’ Medici and studied in Rome. In 1639 he journeyed to Paris where Della Bella collected prints by Northern European artists, copied works by Rembrandt. He received commissions from Cardinals Richelieu and Mazarin. His prints were innovative, seeming to look forward to the Rococo. Della Bella also engraved views of Paris. He visited Amsterdam in 1647. French anti-Italian feeling during the Fronde and the death of Mazarin during the late 1640s led to della Bella’s return to Florence. Della Bella produced some of his best work after his return. Della Bella is known to have illustrated some discoveries for Galileo and depicted Hansken the famous elephant, when dead. In his final years, he produced a number of prints experimenting with tonal effects attempting to achieve drawing effects in etching. In 1661 he appears to have suffered a stroke, after which he produced little work.

The Dutch Golden Age was a period from 1581 to 1672, when the Netherlands experienced the "Dutch Miracle", transcended to the foremost maritime and economic power. In 1568, the Seven Provinces started a rebellion against Philip II of Spain, leading to the Eighty Years' War with Spain and the Thirty Years' War between other European superpowers. Protestants moved from the southern to the northern Netherlands, many settled in Amsterdam, transforming a port town into one of the most important commercial centers in the world by 1630. In addition to the migration of Protestants, there were also influxes of refugees who had previously fled from religious persecution, particularly Sephardi Jews from Portugal and Spain, and Protestants from France. Catholics moved in the other direction - to the southern provinces, modern Belgium. North quickly gained the highest literacy rates in Europe, an abundance of capital, the largest merchant fleet in Europe. The Dutch dominated trade in the Baltic Sea, between China and Japan, and with the English colonies in North America. The Dutch East India Company (VOC) was the first multinational corporation, financed by shares that established the first modern stock exchange. The Bank of Amsterdam, the first central bank, was established in 1609. The Dutch Golden Age is the art period dominanted by Rembrandt, Vermeer, Jacob van Ruisdael, and Frans Hals. Some notable artistic styles and trends include Haarlem Mannerism, Utrecht Caravaggism, the School of Delft, the Leiden fijnschilders, and Dutch classicism. 1672 is called a disaster year" when the Dutch Republic was attacked by England, France, Münster, and Bavaria. The invading armies quickly defeated most of the Dutch States Army and conquered part of the Republic.

In the 15th-16th centuries, as a result of a protestant migration, Amsterdam became the most important trading city in Holland. In the 17th century Amsterdam grew to the #1 port in Europe and the leading financial center of the world. Amsterdam trading ships sailed to North America, Indonesia, Brazil, and Africa - the later Dutch colonies. Dutch East India Company, founded in 1602, was the first multinational corporation to issue stocks to finance its business. Amsterdam was governed by a body of regents, an oligarchy group with control over all city's life, and the foreign affairs of Holland. Regents spent on the water-ways and infrastructure, hospitals, churches, favored private investment and helped to raise standards of living, allowing the Amsterdam Golden Age - the earliest industrial economy. Amsterdam's wealth was generated by commerce sustained by the encouragement of entrepreneurs of any origin. Amsterdam was a city where immigrants formed the majority. Most immigrants were either Lutheran Protestant Germans, French Huguenots, or Portuguese/Spanish Jews. There was also an influx of Flemish refugees following the fall of Antwerp. Wealthy immigrants were welcomed and got all privileges except those of citizenship, but no encouragement was given to poor Dutch from the countryside or other towns of Holland. During the Napoleonic wars, Amsterdam's fortunes reached their lowest point. At the end of the 19th century, the Industrial Revolution gave the economy a big boost and led to a huge influx of worker migrants from the Dutch countryside.

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1647
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Metropolitan Museum of Art
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Public Domain Dedication (CC0)

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