Hendrick Goltzius - Portret van Charlotte de Bourbon

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Hendrick Goltzius - Portret van Charlotte de Bourbon

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Summary

Portret in ovaal van Charlotte de Bourbon, derde echtgenote van Willem van Oranje, staand achter een tafel waarop een boek en een zakdoek. Charlotte wordt omgeven door de personificaties van de vier elementen: water, lucht, vuur en aarde, en toepasselijke bijbelse voorstellingen op de achtergrond. Randtekst in het ovaal en inscripties in Latijn in de lijst onder het ovaal. (Pendant van het portret van Willem van Oranje: RP-P-1940-257)

Since the 16th century, Dutch artists used prints to promote their art and access a wider public than what was possible for a single painting. During the Dutch Golden Age, (17th century), Dutch artists perfected the techniques of etching and engraving. The rise of printmaking in the Netherlands is attributed to a connection between Italy and the Netherlands during the 1500s. Together with the large-scale production, it allowed the expanding reach of an artist’s work. Prints were popular as collecting items, so publishing houses commissioned artists to create a drawing or a painting, and then print the work for collectors - similar to what occurs at publishing houses today. Dutch printmaking evolved rapidly, so in 16th-century etching prevailed over the engraving. Major Dutch Printmaker Artists: Hieronymus Bosch, Pieter Bruegel the Elder, Hendrick Goltzius, Rembrandt van Rijn, Anna Maria van Schurman, Adriaen Jansz van Ostade, Ferdinand Bol.

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Date

1581
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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