Nihon kaigun ryojunkō daigekisen, Imperial Japanese Navy
Summary
Print shows sailors on a Japanese battleship firing on a Russian battleship during the surprise naval assault on the Russian fleet at Port Arthur (Lüshun).
Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-06.
Forms part of: Japanese prints and drawings (Library of Congress).
The Siege and Battle of Port Arthur marked the commencement of the Russo-Japanese War. Porth Artur was the deep-water port and Russian naval base at the tip of the Liaodong Peninsula in Manchuria. Port Arthur was widely regarded as one of the most strongly fortified positions in the world at the time. It was the longest and most violent land battle of the Russo-Japanese War. Russian land forces in the course of the siege suffered 31,000 casualties, of whom 15,000 were killed, wounded, and missing.
Alois Senefelder, the inventor of lithography, introduced the subject of colored lithography in 1818. Printers in other countries, such as France and England, were also started producing color prints. The first American chromolithograph—a portrait of Reverend F. W. P. Greenwood—was created by William Sharp in 1840. Chromolithographs became so popular in American culture that the era has been labeled as "chromo civilization". During the Victorian times, chromolithographs populated children's and fine arts publications, as well as advertising art, in trade cards, labels, and posters. They were also used for advertisements, popular prints, and medical or scientific books.
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