Nidanme, print by Utamaro Kitagawa - Ukiyo e print

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Nidanme, print by Utamaro Kitagawa - Ukiyo e print

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Summary

Print shows the young samurai Rikiya placing a gift in front of Konami with her mother standing behind her and Honzo observing from behind a screen, from act 2 of the chushingura.
Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-06.
From the series: Chushingura.
Format: vertical Oban Nishikie.
Forms part of: Japanese prints and drawings (Library of Congress).
"This box looks non-vintage, tho from block; leave in play"

Woodblock printing in Japan (木版画, moku-hanga) is a technique best known for its use in the ukiyo-e artistic genre of single sheets, but it was also used for printing books in the same period. Woodblock printing had been used in China for centuries to print books, long before the advent of movable type, but was widely adopted in Japan during the Edo period (1603-1868). Woodblock printing appeared in Japan at the beginning of Edo period, when Tokugawa shogunate was ruled by th​e Japanese society. This technique originated from China, where it was used to print books for many centuries. Its original name is ‘moku-hanga’ and it has a wide usage in artistic genre of ‘ukiyo-e’. As opposed to western tradition, where artists used oil-based inks for woodcuts, moku-hanga technique uses water-based inks. That is why those prints had colors so vivid, as well as glazes, and transparency. This collection describes Japanese printmaking different schools and movements. The most notable of them were: - From 1700: Torii school - From 1700-1714: Kaigetsudō school - From 1720s: Katasukawa school, including the artists Shunsho and Shuntei - From 1725: Kawamata school including the artists Suzuki Harunobu and Koryusai - From 1786: Hokusai school, including the artists Hokusai, Hokuei and Gakutei - From 1794: Kitagawa school, including the artists Utamaro I, Kikumaro I and II - From 1842: Utagawa school, including the artists Kunisada and Hiroshige - From 1904: Sōsaku-hanga, "Creative Prints" movement - From 1915: Shin-hanga "New Prints" school, including Hasui Kawase and Hiroshi Yoshida Woodblock prints were provided by the Library of Congress and cover the period from 1600 to 1980.

Chushingura, also known as "The Treasury of Loyal Retainers" or "The Forty-Seven Ronin," is a famous Japanese tale from the 18th century. It recounts the story of a group of samurai who seek revenge for the unjust death of their master. The fact that it's a true story plays a significant role in its long-lasting appeal. The story takes place during the Edo period and is based on historical events. It begins with Lord Asano Naganori, a samurai lord, who is provoked by the arrogant and corrupt court official Kira Yoshinaka. Asano draws his sword and injures Kira within the Shogun's palace, which is strictly forbidden. As a result, Asano is ordered to commit ritual suicide, known as seppuku. After Asano's death, his loyal retainers become ronin (masterless samurai) and are determined to avenge their lord's honor. They spend years planning and preparing for their mission, carefully disguising their intentions to avoid suspicion. Finally, in a meticulously orchestrated attack, they succeed in killing Kira, bringing justice to their fallen master.

date_range

Date

01/01/1801
person

Contributors

Kitagawa, Utamaro, 1753?-1806, artist
place

Location

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Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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