Moran, Thomas, Venice, The Lagoon Looking toward Santa Maria della Salute, 1894

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Moran, Thomas, Venice, The Lagoon Looking toward Santa Maria della Salute, 1894

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Thomas Moran, American, 1837–1926
Venice: The Lagoon Looking toward Santa Maria della Salute, 1894
Watercolor and gouache over graphite on cream laid paper
27.3 x 41.2 cm. (10 3/4 x 16 1/4 in.)
Gift of Mrs. Philip T. White
x1969-370
After achieving fame and fortune with his pioneering vistas of the American West, Moran began traveling to Venice in the late 1880s, painting composite views on canvas and paper of the alluring city and its lagoon. As demonstrated in this characteristically luminous example, Moran avoids topographical specificity by condensing the setting so that the various monuments—notably the tower in St. Mark’s square and the white-domed church Santa Maria della Salute—are all visible within the same dreamy composition, evoking Venice’s evanescent beauty as if seen from the low perspective of

a floating gondola.

Thomas Moran (1837–1926) was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth, took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.

Set of images depicting various harbors, ports, and piers together with ships, fishing and sailing boats, and all types of haven-like places and views. All large image sets on Picryl.com are made in two steps: First, we picked a set to train AI vision to recognize the feature, and after that, we ran all 25M+ images in our database through an image recognition machine. As usual, all media in the collection belong to the public domain. There is no limitation on the dataset usage - educational, scientific, or commercial.

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1894
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Source

Princeton University Art Museum
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public domain

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american drawings in the princeton university art museum
american drawings in the princeton university art museum