International studio (1897) (14753297336)

Identifier: internationalstu60newy (find matches)
Title: International studio
Year: 1897 (1890s)
Authors:
Subjects: Art Decoration and ornament
Publisher: New York
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto



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ibition of hand-wrought articles—Jewellery, Metal-work, Ceramics, WoodCarving, Textiles, Leather-work, Baskets, Photo-graphs, Christmas Cards, etc., will be held underthe auspices of the National Society of Craftsmenin the Arts Club Gallery, iiq East igth Street,New York City, from December 6 to Decem-ber 2Q. The work of Ossip Perelman, of the ImperialAcademy of Petrograd, was on \-iew last monthat Knocdlers and made a great impression. Onpage Iviii we have reproduced his wonderful por-trait of M. Stassoff, a seven-foot Russian withbrain in proportion, who sits on a veranda inRussian costume, red morocco lop boots, baggyblue-black breeches, and yellow smock. The wayhe has worked from the startling red boots upinto the atmosphere is a joyous performance. Hugo Ballin has been exhibiting drawings atthe Goupil Galleries; composition studies, jxir-traits, nudes, draperies, altar sketches, etc.,mostly studies for the many murals e.xecuted oflate years. Ossip Linde has just exhibited Vene-
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FAIKIIAVKN BY CLIFHIKI) W. AMU.liYL.XVII Gallery Notes tian and Connecticut paintings at the Historicaland Art Societ\- in Albanj-. His pictures ofVenice and Bruges ha\-e been specially noticed inthis magazine for their fine qualities. His suc-cess as a teacher at Westport equals his recordas an efficient artist. Good colour and consider-able imagination mark Emil Holzhauers exhibi-tion at the Braun Galleries. William B. E.Ranken has been showing unusual water coloursof figureless interiors at Knoedlers. The in-teriors he selects are so interesting that a figurewould be an intrusion. Staterooms at BlenheimPalace jostle Chinese Pagodas and Fifth Avenuedrawing-rooms; all are rich in colour and design. The Ehrich Galleries continue in their well-directed efforts towards instilling in the collectora desire for the lesser-known masters, especiallyas the greatest men are unobtainable or else tooexpensive for the ordinary man. Former exhibi-tions of this nature have been highly successful. T