Hercules worstelt met Antaeus, Agostino Veneziano, Italy

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Hercules worstelt met Antaeus, Agostino Veneziano, Italy

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Summary

Hercules houdt de reus Antaeus vast om zijn middel. Omdat Antaeus onoverwinnelijk was zolang hij in aanraking bleef met de aarde, tilde Hercules hem van de grond. Naast hen zit een oude vrouw toekijkend op de grond. Op de achtergrond een landschap met gebouwen en ruïnes. In de ondermarge een cartouche zonder tekst.

A cartouche or cartouch is an oval design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low relief design. In Early Modern design, since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartoccia. Such cartouches are characteristically stretched, pierced and scrolling (illustration, left). Another cartouche figures prominently in the title page of Giorgio Vasari's Lives, framing a minor vignette with a device of pierced and scrolling papery cartoccia.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Date

1533
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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