Jacques Callot - Hel en vagevuur (deel linksboven)

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Jacques Callot - Hel en vagevuur (deel linksboven)

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Summary

Vierde deel (linksboven) van een voorstelling van de hel als een omheinde, trapsgewijs opgebouwde piramide, met helemaal bovenaan Satan die zielen van zondaars verslindt, en op de lagen onder hem vele verdoemden die door duivelse wezens en vuurhaarden gepijnigd worden. In de hoek linksboven buiten de piramide: zielen in het vagevuur. Her en der in de voorstelling verklarende teksten in het Latijn, o.a. van verschillende zonden.

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

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Date

1612
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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