Halberd of the Guard of the Electors of Saxony

Italian Renaissance painting is most often be divided into four periods: the Proto-Renaissance (1300–1425), the Early Renaissance (1425–1495), the High Renaissance (1495–1520), and Mannerism (1520–1600). The city of Florence is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting. From the early 15th to late 16th centuries, Italy was divided into many political states. The painters of Renaissance Italy wandered Italy, disseminating artistic and philosophical ideas. The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance style was started by Masaccio and then further developed by Fra Angelico, Paolo Uccello, Piero della Francesca, Sandro Botticelli, Verrocchio, Domenico Ghirlandaio and Giovanni Bellini. The High Renaissance period was that of Leonardo da Vinci, Michelangelo, Raphael, Andrea del Sarto, Coreggio, Giorgione, the latter works of Giovanni Bellini, and Titian. The Mannerist period, dealt with in a separate article, included the latter works of Michelangelo, as well as Pontormo, Parmigianino, Bronzino and Tintoretto.

The halberd consists of an axe blade topped with a spike mounted on a long shaft. It can have a hook or thorn on the back side of the axe blade for grappling mounted combatants. The halberd was usually 1.5 to 1.8 metres (5 to 6 feet) long. The word halberd is cognate with the German word Hellebarde, deriving from Middle High German halm (handle) and barte (battleaxe) joined to form helmbarte. Troops that used the weapon were called halberdiers. The word has also been used to describe a weapon of the Early Bronze Age in Western Europe. This consisted of a blade mounted on a pole at a right angle.