Frontispiece at Tanglewood tales (1921)

Tanglewood Tales for Boys and Girls, published in1853, is a book by American author Nathaniel Hawthorne, a sequel to A Wonder-Book for Girls and Boys. It is a re-writing of well-known Greek myths in a volume for children. The book includes the myths of: Theseus and the Minotaur (Chapter : "The Minotaur") Antaeus and the Pygmies (Chapter: "The Pygmies") Dragon's Teeth (Chapter: "The Dragon's Teeth") Circe's Palace (Chapter: "Circe's Palace") Proserpina, Ceres, Pluto, and the Pomegranate Seed (Chapter: "The Pomegranate Seed") Jason and the Golden Fleece (Chapter: "The Golden Fleece")

Sterrett received her first commission at the age of 19 (shortly after she was diagnosed with tuberculosis) from the Penn Publishing Company to illustrate Old French Fairy Tales (1920), a collection of works from the 19th-century French author, Comtesse de Ségur (Sophie Fedorovna Rostopchine). A year after the publication of Old French Fairy Tales, a new title including commissioned works from Sterrett was presented by the Penn Publishing Company—Tanglewood Tales (1921). From 1923, in failing health, Sterrett was able to work on projects for short periods of time only and as a result, she was able to complete just one further commission prior to her death—her own interpretation of Arabian Nights (1928). Her best-known work is the suite of illustrations for Arabian Nights (1928). She died of tuberculosis. The comments of the St Louis Post-Dispatch in the supplement published following Sterrett's death (published July 5, 1931) pay fitting tribute to her life and work: Her achievement was beauty, a delicate, fantastic beauty, created with brush and pencil. Almost unschooled in art, her life spent in prosaic places of the West and Middle West, she made pictures of haunting loveliness, suggesting Oriental lands she never saw and magical realms no one ever knew except in the dreams of childhood ... Perhaps it was the hardships of her own life that gave the young artist's work its fanciful quality. In the imaginative scenes she set down on paper she must have escaped from the harsh actualities of existence.