Eerste intermezzo: de reus Typheus (Typhon) onder de berg Ischia

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Eerste intermezzo: de reus Typheus (Typhon) onder de berg Ischia

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Summary

Gezicht op de Sala delle Commedie in de Uffizi, alsof de beschouwer vanuit een groot raam of een galerij met opengetrokken gordijnen kijkt. Vele fraai geklede toeschouwers zitten op tribunes langs de wanden van de zaal en staan in een halve cirkel op de vloer, rond enkele dansers in het midden. Op de achtergrond een verhoogd toneel waarop een grote rots te midden van vele bomen te zien is. Boven de voorstelling het wapen van Florence. Onder de voorstelling enkele regels Italiaanse tekst. Deze prent is onderdeel van een serie van drie voorstellingen van intermezzi in het toneelstuk 'La Liberazione di Tirenno, e d'Arnea' van Andrea Salvadori, zoals dat uitgevoerd werd tijdens het carnavalsfeest te Florence in 1616.

Jacques Callot was born in Nancy, Lorraine, now France. He came from an aristocratic family and he writes about his noble status in his print inscriptions. He learned engraving in Rome from an expatriate Frenchman, Philippe Thomassin, and probably, from Antonio Tempesta in Florence where he started to work for the Medici. In 1621, he returned to Nancy where he lived for the rest of his life. Although he remained in Nancy, his prints were distributed through Europe. He developed several technical innovations that enabled etching lines to be etched more smoothly and deeply. Now etchers could do the very detailed work that was previously the monopoly of engravers, and Callot made good use of the new techniques. His multiple innovations also achieved unprecedented subtlety in the effects of distance and light even his prints were relatively small – as much as about six inches or 15 cm on their longest dimension. His most famous prints are his two series of prints each on "the Miseries and Misfortunes of War". These images show soldiers pillaging and burning their way through towns before being arrested and executed by their superiors, lynched by peasants, or surviving to live as crippled beggars.

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Date

1617
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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