Charlotte of France by Jean Clouet

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Charlotte of France by Jean Clouet

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Summary

Her rich clothing and jeweled cap denote her high status, and her rosary indicates a gentle and pious nature. Portraits of European royal children were commissioned to record stages of their development and were often exchanged with other royal houses as a diplomatic gesture. Jean Clouet, the court painter under Francis I, based his formal panel portraits on detailed drawings made from life. His style typifies northern renaissance painting with its silhouetting of shapes, incisive draftsmanship, and enamellike finish.

Italian Renaissance painting is most often be divided into four periods: the Proto-Renaissance (1300–1425), the Early Renaissance (1425–1495), the High Renaissance (1495–1520), and Mannerism (1520–1600). The city of Florence is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting. From the early 15th to late 16th centuries, Italy was divided into many political states. The painters of Renaissance Italy wandered Italy, disseminating artistic and philosophical ideas. The Proto-Renaissance begins with the professional life of the painter Giotto and includes Taddeo Gaddi, Orcagna and Altichiero. The Early Renaissance style was started by Masaccio and then further developed by Fra Angelico, Paolo Uccello, Piero della Francesca, Sandro Botticelli, Verrocchio, Domenico Ghirlandaio and Giovanni Bellini. The High Renaissance period was that of Leonardo da Vinci, Michelangelo, Raphael, Andrea del Sarto, Coreggio, Giorgione, the latter works of Giovanni Bellini, and Titian. The Mannerist period, dealt with in a separate article, included the latter works of Michelangelo, as well as Pontormo, Parmigianino, Bronzino and Tintoretto.

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Date

1522
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Source

Minneapolis Institute of Art
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Copyright info

Public Domain

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1520 s paintings in the united states
1520 s paintings in the united states