Antonio Tempesta - Aartsengel Michaël doodt de draak

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Antonio Tempesta - Aartsengel Michaël doodt de draak

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Summary

De aartsengel Michaël, zwevend met zwaard en schild, doodt de draak. Boven zweven God de Vader, Christus en de Heilige Geest in de gedaante van een duif.

St. Michael Conquering the Dragon is a popular subject in Christian art, representing the victory of good over evil. St. Michael is the archangel who is believed to lead God's army against Satan and the forces of evil. In this scene, St. Michael is depicted as a powerful warrior, often with wings and armor, who is defeating a dragon or serpent, which represents Satan.

Antonio Tempesta (1555 – 1630), was an Italian painter and engraver, whose art connects Baroque Rome and the Flemish culture of Antwerp was born in Florence. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. When in Rome, he associated with artists from the Habsburg Netherlands. Tempesta is now best known as a printmaker in etching and engraving. He also drew many designs for tapestries.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

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Date

1565 - 1630
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Source

Rijksmuseum
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Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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