A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

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A soldier pulling out the ramrod from its holder, from the Musketeers series, plate 25, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

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Public domain scan of 16th,17th-18th century German print, free to use, no copyright restrictions image - Picryl description

Born in Antwerp, Jacob de Gheyn I was glass painter, engraver, and draftsman. In 1585, he moved to Haarlem, where he studied under Hendrik Goltzius. He moved again, to Leiden, in the middle of the 1590s. His work attracted the attention of wealthy sponsors, and his first commission was for an engraving of the Siege of Geertruidenberg from Maurice of Nassau, Prince of Orange. De Gheyn painted some of the earliest female nudes, vanitas, and floral still lifes in Dutch art. He is credited with creating over 1,500 drawings, including landscapes and natural history illustrations. He produced 117 engravings for the military manual The Exercise of Armes while living in Amsterdam.

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Date

1600 - 1700
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Source

Metropolitan Museum of Art
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Copyright info

Public Domain Dedication (CC0)

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jacques de gheyn ii
jacques de gheyn ii