A new history of painting in Italy, from the second to the sixteenth century (1864) (14763148184)

Identifier: newhistoryofpain02crow (find matches)
Title: A new history of painting in Italy, from the second to the sixteenth century
Year: 1864 (1860s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897
Subjects: Painting
Publisher: London, J. Murray
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University



Text Appearing Before Image:
guards dicing for thegaiment. On the left, the Virgin has fainted in thearms of the Marys, and the procession of spectatorsmoves to and fro on the road to Jerusalem, a well orderedand numerous multitude of riders, and males and femaleson foot.6 The legend of S. James the Elder is illustrated 1 Anonimo ed. Morelli. Bas-sano 1800. ub. sup. p. 5. 2 Brandolesi, ub. sup. p. 29. 3 Lanzi, ub. sup. Vol. III.p.p. 12. 13, who confounds, likeVasari, the Paduan Jacopo withJacopo degli Avanzii and JacobusPauli. 4 Handbook of Italian painting,Murray. who was buried here in 1380(Anonimo, ub. sup. p. 5), islet into the wall of the compart-ment to the right of the cruci-fixion, and a wish, a hope seemsexpressed for his future bliss, bythe symbolical subject paintedabove his tomb: the resurrectionof Christ standing with the bannerin his sepulchre between two 5 Kunstblatt No. 3. anno 1838. i angels. A tomb likewise let into 6 The tomb of Bonifazio Lupi ; the wall in the compartment mto Vol. ir. p. 2a5.
Text Appearing After Image:
THE LANDING OF THE BODY OF ST. JAMES; fresco, in the CappellaS. Felics of St. Anthonys Church at Padua. Chap. IX. CAPPELLA S. FELICE AT PADUA. 235 in the six lunettes at the sides and a double course atthe ends of the chapel; the first episodes beginning inthe lunette of the East end or to the spectators left ashe enters. Three scenes fill this space. S. James preaches in thepulpit of the temple of Jerusalem to a crowd of men andwomen; whilst on the left the magicians Hermogenes andPhiletus confer as to the means of combating his doctrines.On the right, Hermogenes is carried away by the fiends,and a crowd flies in terror from the spirits that surroundthem. Continuing the subjects on the lunettes of the Southside, the painter represents the apostle revealing thedivine nature of his mission by ordering the fiends to bringhim Hermogenes and Philetus. Hermogenes appears at hisinvocation carried down by a dragon, and, throwing awaythe magical books which perish in fire, he is baptised, whi