A Grotesque Head with a Helmet in the Style of Arcimboldo

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A Grotesque Head with a Helmet in the Style of Arcimboldo

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Summary

This imaginary head was devised by the Augsburg printmaker Dominicus Custos. The face consists of roasted poultry between two metal bowls. Two chicken heads serve as eyes, while an outstretched leg suggests a moustache. The composition is strongly reminiscent of paintings by Giuseppe Arcimboldo (c. 1526-1593), who specialized in heads composed of all kinds of vegetables, fruit or roasted game.

The roots of the Flemish school are usually placed in Dijon, the capital of the dukes of Burgundy where Philip the Bold (reigned 1363–1404) established a tradition of art patronage. Philip the Good (reigned 1419–67) moved the Burgundian capital to Brugge (Bruges). The largest county in the Southern Netherlands was Flanders and the term Flanders is often used to refer to the whole of the Southern Netherlands. Flanders produced many famous artists of Northern Europe. Arts flourished in the County of Flanders and neighboring Brabant, Hainaut, Picardy, Artois, and Tournaisis, from the early 15th century until the 17th century. In the 15th century and up to 1520 Flaundry was a part of Early Netherlandish art with the center in Antwerp. It gradually became distinct from the art of the rest of the Low Countries, especially the modern Netherlands by the end of the 16th century, when the north and the south Netherlands were politically separated. During the last quarter of the 16th century, political unrest between the northern and southern parts of the Netherlands brought a decline in Flemish art. Many Flemish artists left the Southern Netherlands for Rome, Germany, or the Dutch Republic. After Twelve Year Truce, Flemish art revived.

Giuseppe Arcimboldo (1527–1593) was an Italian painter famous for his extravagant paintings of human faces in the form of compositions of fruit and vegetables, often with portrait likenesses. The forgotten Renaissance artist was proclaimed in the twentieth century as a forerunner of Surrealism. This suggests that the artist was well ahead of his time and deserves to be known not only by specialists but also by the general public.

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Date

1594
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Source

Rijksmuseum
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Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

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