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Waffenstillstand gr during World War I
Zusammenfassung
Français : Tableau représentant la signature de l’armistice de 1918 dans le wagon-salon du Maréchal Foch. Derrière la table, de droite à gauche, le général Weygand, le maréchal Foch (debout) et les amiraux britanniques Wemyss, G.Hope et J.Marriott. Devant, le ministre d’État allemand Matthias Erzberger, le général major Detlof von Winterfeldt (avec le casque) de l’armée impériale, le comte Alfred von Oberndorff des Affaires étrangères et le capitaine de vaisseau Ernst Vanselow de la Marine impériale.
Svenska: Stilleståndet 1918
English: Colorized photograph, which depicts from left to right: German Admiral Ernst Vanselow, German Count Alfred von Oberndorff (1870 - 1963) of the Foreign Ministry, German army general Detlof von Winterfeldt, British Royal Navy Captain Jack Marriott (Naval Assistant to the First Sea Lord), Matthias Erzberger, head of the German delegation Center party member of the Reichstag (1875 - 1921), who was later murdered by Freikorps rightists for his role in the Armistice, British Rear-Admiral George Hope (Deputy First Sea Lord), British Admiral of the Fleet Sir w:en:Rosslyn Wemyss (First Sea Lord), Marshal of France Ferdinand Foch (1851 - 1929), and French general Maxime Weygand (1867 - 1965). according to http://www.jamd.com/image/g/3279533.
There is a signature in the left corner: Pillard. See also national trust object 836535.
This image appears to be a painting, not a colourized photograph. (It might have also been published as a sepia postcard.) The probability that it is not a photograph is also indicated by the inaccurate depiction of furniture, in Maréchal Foch's 'dining car', which had a fixed-to-the-floor table and French chairs (as seen in photographs of the event). The probable inaccuracy of the depiction might be the reason for its anonymity.
Português: Fotografia restaurada. Da esquerda para a direita: o Almirante Alemão Ernst Vanselow, o conde alemão Alfred von Oberndorff, o general alemão Detlof von Winterfeldt, o almirante britânico Jack Marriott, Matthias Erzberger, líder da delegação alemã e membro do parlamento (Reichstag), o almirante britânico George Hope, o almirante Rosslyn Wemyss, o marechal francês Ferdinand Foch e o general francês Maxime Weygand, de acordo com http://www.jamd.com/image/g/3279533
Deutsch: Verabschiedung nach der Unterzeichnung des Waffenstillstandsabkommens vom 11. November 1918 in einem Eisenbahn-Salonwagen im Wald von Compiègne.
Von links nach rechts sind folgende Personen zu sehen:
Ernst Vanselow (Deutscher Admiral)
Graf Alfred von Oberndorff (1870–1963) (Deutsches Auswärtiges Amt)
Detlof von Winterfeldt (Deutscher General)
Jack Marriott (Kapitän der britischen Royal Navy, Marineassistent des Ersten Seelords)
Matthias Erzberger (1875–1921) (Leiter der deutschen Delegation, Staatssekretär, Zentrum, Mitglied des Reichstags) wurde später von rechten Freikorps-Rechten für seine Rolle im Waffenstillstand ermordet
George Hope (Britische Rear-Admiral, Stellvertreter des Erster Seelords)
Rosslyn Wemyss (Britischer Flottenadmiral, Erster Seelord)
Ferdinand Foch (1851–1929) (Marschall von Frankreich)
Maxime Weygand (1867–1965) (Französischer General)
In der linken Ecke befindet sich eine Signatur: Pillard.
Siehe auch National Trust Object 836535.
He was born in Saint-Quentin, France. Maurice Pillard Verneuil learned his trade from the Swiss designer Eugène Grasset. Maurice Pillard Verneuil then went on to become a well-known artist and designer. He was inspired by Japanese art and nature, particularly the sea. He is known for his contribution to the art deco movement and, in particular, his use of bold, floral designs in ceramic tiles, wallpapers and other furnishing textiles. His designs covered both the Art Nouveau and Art Deco periods subsequently transitioning into his much acclaimed geometric patterns. Verneuil also produced numerous poster works in France alongside the well-known artists such as Toulouse-Lautrec and Chéret. Other collaborators included Armand Point, René Juste, Alfons Mucha and Mathurin Méheut. After the First World War, he moved to Geneva, and then, from 1921 to his death to Rivaz where he lived with his third wife, Adélaïde Verneuil de Marval, who was also a painter and the photomodel he used for his portfolio, "Images d'une femme", in the 1930s. In 1925, Maurice Pillard Verneuil and his wife Adélaïde Verneuil de Marval worked together on the portfolio Kaleidoscope: Ornements abstraits, quatre-vingt-sept motifs en vingt planches. Composés par Ad.(élaïde) and M.P.Verneuil. He trained many artists including Amédée Ozenfant. In 1923, he embarked with his wife Adélaïde Verneuil de Marval on a long voyage to the Far East, including visits to Cambodia, Indonesia, and Japan.
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