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Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista Piranesi architetto veneziano. Tomo quarto, contenente i ponti antichi, gli avanzi de' teatri, de' portici, e di altri monumenti di Roma), from the series 'Roman Antiquities' (Le Antichità Romane)

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Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from the series 'Le Antichità Romane'

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Plan of the Mausoleum of Caecilia Metella, wife of the Triumvir Marcus Crassus..., from Le Antichità Romane (Roman Antiquities), tome 3, tavola 49

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Plan of a tomb on the Appian Way in Vigna Buonamici (Pianta di un sepolcro sull'antica Via Appia nella Vigna Buonamici), from the series 'Le Antichità Romane'

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)

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View of the stone pavement of the Appian Way (Veduta dell'antica Via Appia), from the series 'Le Antichità Romane'

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View of a large structure, remains of the Tomb of the Metelli on the Appian Way about five miles from Porta S. Sebastiano, in the village of S. Maria Nuova..., from Le Antichità Romane, tome 3, tavola 15

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The Arch of Septimius Severus (Arco di Severo, e Caracalla)

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

Plan and elevation of the Pons Fabricius (also known as the Quattro Capi Bridge), Rome, from the series 'Le Antichità Romane'

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Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from 'Le Antichità Romane'

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Partial elevation and plan of the first-order portico at the Theater of Marcellus (Dimostrazione di una parte de' portici del prim' ordine del Teatro di Marcello), from 'Le Antichità Romane'

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The Basilica of Constantine (Veduta degli avanzi della Casa aurea di Nerone, detti volgarmente il Tempio della Pace

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

The Theatre of Marcellus (Teatro di Marcello)

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

Coat of Arms of Clement XIII (Rezzonico)

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Coat of Arms of Clement XIII (Rezzonico)

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The Arch of Septimius Severus, with the Church of S. Martina on the right (Arco di Settimio Severo)

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

Title-page for the 'Vedute di Roma' comprising a stone in the background inscribed with the title, a classical vase and fragments of columns in the foreground

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View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views)

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The so-called Temple of Salus, on the road to Albano (Tempio antico volgarmente detto della Salute)

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

A view of part of the intended Bridge at Blackfriars, London

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

A view of part of the intended Bridge at Blackfriars, London

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Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

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The so-called Grotto of Egeria (Veduta della fonte e delle spelonche d'Egeria fuor della Porta Capena)

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Remains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)

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Remains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)

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Avanzi del Tempio detto di Apollo nella Villa Adriana vicino a Tivoli (Hadrian's Villa. Remains of the Smaller Palace [Formerly called the Temple of Apollo])

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Chimneypiece in the Egyptian style: Mummy superimposed on a large caryatid above the lintel (Ch. à l'égyptiennne surmontée d'une grande cariatide contre laquelle s'applique une momie), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Chimneypiece in the Egyptian style: Two mummies in profile on the left and two figures brearing obelisks on the right (Ch. à l'ègyptienne), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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A sedan chair, a coach, a commode, a side table and two clocks (Deux ch. à porteurs v. de côté, une commode, une console, deux pedules, un meuble indét), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Chimneypiece: Affronted griffons on the lintel and candelabra on the jambs (Ch. accompagnée de son plan et décorée d'une frise de griffons), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Chimneypiece in the Egyptian style: Groups of three female nudes at the base of each jamb, surmounted by larger kneeling figures), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Chimneypiece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimneypieces and all other parts of houses)

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Chimneypiece: Frieze of trophies and winged Victories on the lintel, with cornucopias to either side of the jambs decorated with varied reliefs (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Miscellaneous furniture including two sedan chairs, a side table and a commode (Deux ch. à porteurs v. de côté, console, flambeau.), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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Title page, from Trofeo o sia Magnifica Colonna Coclide...(The Trophy or Magnificent Spiral Column)

Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome) Public domain scan of Italian 18th-century print, free to use, no copyright restrictions image - Picryl description

The Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino)

Picryl description: Public domain image of Rome, classic architecture, ruins, roman building, forum, city, free to use, no copyright restrictions.

The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino)

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Veduta dell'Anfiteatro Flavio detto il Colosseo, from: 'Vedute di Roma' (Views of Rome)

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Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The "Warwick Vase," from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

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Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The "Warwick Vase," from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

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Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

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Perspective view of the same candelabrum, from 'Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi, vol. II' (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments)

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Giovanni Battista Piranesi - View through the Herculaneum Gate, Pompeii

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Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

Picryl description: Public domain illustrated book page scan, engraving, free to use art, no copyright restrictions image.

Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

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Joseph Mallord William Turner - Giovanni Battista Piranesi - "Dark Prison (Carcere Oscura)"

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Joseph Mallord William Turner - Giovanni Battista Piranesi - "Dark Prison (Carcere Oscura)"

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Plate 26: Temple of Clitumnus between Foligno and Spoleto . . . (Tempio di Clitumno tra Fuligno e Spoletti . . .)

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View of the Palazzo della Consulta on the Quirinal housing the Papal Secreteriat, from Vedute di Roma (Roman Views)

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Vedute pittoriche No. 1. Veduta generale dei contorni di girgenti in Sicilia

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The Piazza di Spagna (Veduta di Piazza di Spagna)

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Veduta degli avanzi del Foro di Nerva, l'arcade et la muraille (The Forum of Augustus [erroneously called the Forum of Nerva])

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Vedute pittoriche No. 1. Veduta della spiaggia di S. Lucia presso Napoli

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View of the Palazzo Odeschali, from Vedute di Roma (Roman Views)

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View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6

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Large plan of the entrance of the town of Pompeii, and its surrounding buildings, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 2

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View from the street entering beneath the gateway to the city of Pompeii, with the foot paths and the shops, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 8

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Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 3

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View opposite the entrance gate of all of the shops to the right and left of the street of the City of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 13

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View of the Scala Reggia ordered by Alesandro VII (Vedute Della Scala Reggia ordinata da Alesandro VII)

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Francesco Piranesi - Giovanni Battista Piranesi - Prison Scene

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View of the town of Kdyně (Neu Gedein) - Western Bohemia

View of the town of Kdyně (Neu Gedein) - Western Bohemia The daguerreotype method of the photographic process was invented by Louis Daguerre in the 1830s. It was the first photographic process and it was widel More

Chimneypiece: Architrave decorated with a Greek key motif and a circular fireback with figures of the zodiac (Ch. décorée d'une grecque), from Diverse Maniere d'adornare i cammini ed ogni altra parte degli edifizi...(Different Ways of ornamenting chimneypieces and all other parts of houses)

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bridge from "Vedute antiche e moderne le più interessanti della città di Roma, incise da vari autori, in numero 100. (Explication ... rédigée ... par E. Piale.)"

This image has been taken from scan 000095 from "Vedute antiche e moderne le più interessanti della città di Roma, incise da vari autori, in numero 100. (Explication ... rédigée ... par E. Piale.)". The tit More

map from "[Esplorazione delle regioni equatoriali lungo il Napo ed il Fiume delle Amazzoni, frammento di un viaggio fatto nelle due Americhe negli anni 1846-1847-1848 da G. Osculati ... Corredata di 2 carte topografiche e di 20 vedute e costumi ritratti dal vero dallo stesso autore.]"

This image has been taken from scan 000355 from "[Esplorazione delle regioni equatoriali lungo il Napo ed il Fiume delle Amazzoni, frammento di un viaggio fatto nelle due Americhe negli anni 1846-1847-1848 da G More

Vedute diverse d'Alessandria. - Egypt

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Vedute di Malta. - Egypt, aquatint

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Vedute d'Abu-kir. - Egypt, aquatint

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Costa d'Affrica Forte Marabou due vedute d'Alessandria.

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Vedute de' contorni di Rosetta.

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Vedute di diversi villaggi del basso Egitto.

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Vedute del tempio maggiore di Tentira.

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Vedute e templi di Tentira. - Egypt

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The Octagonal Room in the Small Baths at the Villa of Hadrian (Tivoli)

Public domain image of a historic building, 15th-16th century architecture, free to use, no copyright restrictions image - Picryl description.

Veduta interna dell'Atrio del Portico di Ottavia (Internal View of the Atrium of the Portico of Octavia), in: 'Vedute di Roma' (Views of Rome)

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Giovanni Battista Piranesi - The Skeletons, from Grotteschi (Grotesques)

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Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

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Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

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The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)

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Le Fontane del Giardino Estense in Tivoli con li Loro Prospetti, e Vedute della Cascata del Fiume Aniene

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Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)

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Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

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Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Public domain image of a small palace, chateau, villa, residential historic building, 18th century, free to use, no copyright restrictions image - Picryl description.

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

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Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia)

Picryl description: Public domain photograph of a building in Venice, Italy, free to use, no copyright restrictions.

Le Fabriche, e vedute di Venetia

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Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Picryl description: Public domain photograph of a building in Venice, Italy, free to use, no copyright restrictions.

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Picryl description: Public domain image of a palace, villa, or large historic building, architecture, free to use, no copyright restrictions.

Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)

Picryl description: Public domain image of a palace, villa, or large historic building, architecture, free to use, no copyright restrictions.

Vedute altre prese da i luoghi altre ideate

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Two Men Holding Long Staffs (recto); Proof impression of part of an etching, and scribbles in the artist's hand (verso)

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Title plate of 'Vedute altre prese da i luoghi altre ideate', with title and publication information inscribed into a wall plaque at the edge of a canal

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The Royal Villa called il Poggio Imperiale (La Real Villa detta il Poggio Imperiale), view of the facade and balustrade with statuary, from 'Views of the city and other places of Tuscany' (Vedute delle ville e d'altri luoghi della Toscana)

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View of the Scala Reggia ordered by Alesandro VII (Vedute Della Scala Reggia ordinata da Alesandro VII)

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View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)

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The so-called Temple of Fortuna Virilis (now Church of S. Maria Egizziaca) (Veduta del Tempio della Fortuna Virile)

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Coat of Arms of Clement XIII (Rezzonico)

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Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

Picryl description: Public domain illustrated book page scan, engraving, free to use art, no copyright restrictions image.

Large vase found at the Pantanello, Hadrian's Villa, Tivoli, in 1770 (The "Warwick Vase," from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)

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Joseph Mallord William Turner - Giovanni Battista Piranesi - "Dark Prison (Carcere Oscura)"

Public domain image of an arch structure, bridge, historic place ruins, classical architecture, free to use, no copyright restrictions - Picryl description