Warrior Pulling a Rider from His Horse, from "Ex Antiquis Camorum et Gemmae Delineata"
Summary
Public domain image of drawing or print depicting the male nude figure, free to use, no copyright restrictions - Picryl description
Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.
Tags
francesco angeloni
anonymous italian 16th century
battista franco
philippe thomassin
enea vico
engraving
prints
enea vico 1523 1567
anonymous italian 16th century 1500 1600
battista franco 1510 1561
philippe thomassin 1562 1622
francesco angeloni 1559 1652
antiquis camorum
gemmae delineata
soldiers
shields
male nudes
horse riding
the elisha whittelsey collection the elisha whittelsey fund
anonymous
16th century
after battista franco
warrior
rider
horse
antiquis
camorum
gemmae
delineata
italian art
high resolution
animals
metropolitan museum of art
medieval art
italian renaissance
apennine peninsula
Date
1000 - 1500
in collections
Source
Metropolitan Museum of Art
Link
Copyright info
Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")