Similar
K.k. privileg. Theater an der Wien erbauet Anno 1801
Bagnetti d'acqua sulfurea Livorno
Jan Bulthuis, Afb 010097011723 - Engraving, Public domain image
Generous Turk Belotto - A drawing of a stage with a crowd of people
Scotch Church - Swallow Street London - 1801 Plan - Elevation
James Caldwall - Inside view of the Supper-room ^ part of the Ball-room in a Pavilion erected for a Fete Champetre in - B1977.14.10956 - Yale Center for British Art
High Street, with the First Presbyterian Church.
Jan Bulthuis, Afb 010097011734 - Engraving, Public domain image
Pieter Schenk, Afb 010097003827
Related
Giovanni Battista Piranesi, Trevifontænen, 1773, KKSgb9860-104, Statens Museum for Kunst
Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine.
View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome
Uitzicht vanaf de fonteingrotten op de triomfboog
View of a Balustrade with a Pedestal Surmounted by a Fountain
Ludovico Tuminello - Fontana dell'acqua vergine veduta dalla casa Castellani
La Fontana di Trevi amb gent a la plaça i al fons un palau
Edme Bouchardon - Fountain Surmounted by Three Nymphs
A fountain with statues and a statue in front of it. Trevi fountain trevi fountain.
Veduta in Prospettiva della gran fontana dell' acqua vergine detta di trevi
Summary
This record contains unverified data from PGA shelflist card.
Associated name on shelflist card: Veduta.
A veduta, plural vedute, is a highly detailed, usually large-scale painting or, more often print, of a cityscape or some other landscape. The painters of vedute are referred to as vedutisti. Veduta was introduced by northern European artists, most likely Flanders who worked in Italy, such as Paul Brill (1554–1626), a landscape painter who produced a number of marine views and scenes of Rome that were purchased by visitors. Among the most famous of the vedutisti are four Venetians. Canaletto was probably the greatest of the vedutisti, produced Venetian architecture works. Giacomo Guardi (1678–1716), Giannantonio Guardi (1699–1760), and Francesco Guardi (1712–93), also produced a great number of views of Venice. Giovanni Pannini (c. 1691–1765/68) was the first artist to concentrate on painting ruins.