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Pallas Athene - Rijksmuseum public domain dedication

Insignis spoliis Marcellus opimis (BM 1875,0710.5884)

Todsünden (Goltzius) G 0334 III Invidia

Saint John the Baptist in a decorative border, after Michelangelo's 'The Last Judgment' fresco in the Sistine Chapel

Les Vertus d'après Raphaël, La Justice. Troisième numéro d'une suite de 7 pièces (Bartsch 388. Bartsch illustré tome 27 (volume 14, 2ème partie), page 80)

De Tijd knielt voor een handwerkster bij een weefgetouw

Orithyia à Borea rapta - A black and white drawing of a man riding a horse

Egbert van Panderen - Apostel Johannes

Neptune standing in a niche holding a trident in his left hand, foliage in his right

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Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right

Bacchus seated on a barrel in front of grapevines, with bacchantes, satyrs, and children surrounding him

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right

October: a man carrying grapes; a man treading grapes

The infant Bacchus seated under a tree, holding up a wine glass, with another infant behind him at left

Man Seated Beneath a Statue of Bacchus, Receiving an Audience

Onder een baldakijn staat een man die een wijnzak leeg giet

Bacchus at left giving grapes to women, from 'The Loves of the Gods'

Putto at the left hold aloft grapes,another seated at the right holding an urn, an allegory of the seasons (Summer), an oval composition

The Vintage; a man pouring grapes from a basket into a vat, above Bacchus sitting, other figures at left

description

Summary

Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?))

Public domain scan of Italian 15th-16th-century print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

label_outline

Tags

giovanni francesco penni marcantonio raimondi engraving prints or giovanni francesco penni vintage man grapes basket vat bacchus figures 16th century italian art high resolution ultra high resolution old pictures bologna bologna italy sculpture late renaissance metropolitan museum of art medieval art italian renaissance apennine peninsula
date_range

Date

1517 - 1519
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Giovanni Francesco Penni, Vat, Bacchus

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 9 (recto)

Portret van een onbekende man met een mand en lampion

Oude man leunend op stok en gebarende jonge dikke man

Claude Michel (Clodion) - Two Putti, One Holding Aloft a Bunch of Grapes

Bacchus standing in a niche holding grapes in his raised right hand, fruit in his left hand, a dog lower right

The Fête of Bacchus - Claude Gillot

Tongenslijper, Hendrick Goltzius, Dutch

Pallas Athena standing on a globe, a spear in her left hand, a shield in her right

伊藤若沖筆　葡萄双鶏図|Hen and Rooster with Grapevine

U.S. Coast Guardsmen raise a basket during extraction

Vrouw met strohoed en een mand voor gevogelte, van achteren

Apostel Matteüs met beurs staand in nis

Topics

giovanni francesco penni marcantonio raimondi engraving prints or giovanni francesco penni vintage man grapes basket vat bacchus figures 16th century italian art high resolution ultra high resolution old pictures bologna bologna italy sculpture late renaissance metropolitan museum of art medieval art italian renaissance apennine peninsula