Similar
Rihard Jakopič - Portret Judite Medvedove
A black and white photo of a woman sitting at a table, possibly related to: Mr. Carpentier, French-Canadian FSA (Farm Security Administration) client. He works at a mill in Woonsocket and runs an eleven-acre farm with one cow and one pig. Slatersville, Rhode Island
A black and white photo of a woman sitting in a chair. Great Depression era portrait photograph.
Quiet hero lives on in the hearts of others
Travel views of Europe - Public domain scan / photograph
H.J. van der Weele - Rustende boerenvrouw - E206 - Instituut Collectie Nederland
Наставление бабушки (Маковский)
Sam Place and Muriel Place, Greenville, house (exterior and interior), Greenville, Rhode Island
Related
Old Woman (Abraham Bloemaert) - Nationalmuseum - 17280
Old Woman (Abraham Bloemaert) - Nationalmuseum - 17280
Old Woman (Per Krafft d.ä.) - Nationalmuseum - 18713
Nymph and Faun (Ernst Josephson) - Nationalmuseum - 20426
Old Man (Abraham Bloemaert) - Nationalmuseum - 17279
Old Grandmother (Eva Bonnier) - Nationalmuseum - 18858
Scene from Antiquity (Johan Fredrik Hörling) - Nationalmuseum - 22540
Portrait of an Old Lady (Balthasar Denner) - Nationalmuseum - 17210
The Convalescent (Ferdinand Fagerlin) - Nationalmuseum - 18207
The Old Blind Woman (Fanny Brate) - Nationalmuseum - 20439
Summary
Picryl description: Public domain image of a painting, Sweden, free to use, no copyright restrictions.
Fanny Ingeborg Matilda Brate, nee Ekbom, (1862–1940) was a Swedish painter. Fanny Brate's paintings influenced Carl Larsson, and her work is seen as the inspiration for his watercolors of idyllic family life. Biography Fanny Brate was the daughter of John Frederic Oscar Gustaf Ekbom, a clerk in the household of Prince Carl, Duke of Västergötland. In 1880, at the age of eighteen she was accepted at the Royal Swedish Academy of Arts, after having graduated from Konstfack. In 1887 Fanny Brate married runologist Erik Brate (1857–1924). They had four girls, Astrid (1888–1929), Torun (1891–1993), Ragnhild (1892–1894), Ingegerd (1899–1952). After her marriage, she was forced to give up painting, but continued her involvement in the Swedish art world as a patron for other artists. Brate became a member of Svenska Konstnärernas Förening (the Swedish artists' association) in 1891.