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code Related

St. Mark, seated with an unfurled scroll in his hands, a winged lion's head and forefeet emerge beneath his robes, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Matthew, seated on a cloud with legs crossed and dipping a quill into an inkwell held by an angel, who also holds an inscribed scroll, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

St. Matthew, seated on a cloud and dipping a quill into an inkwell held by an angel, who is also holding a scroll, from a series of the four evangelists after Giulio Romano

Plate 4: Saint John with his head turned three-quarters to the left, with a book in his right hand and an eagle at his feet, from 'The four evangelists'

Sheet of studies with St. Jerome, seated at right and resting his right forearm on a book, at left an ecclesiastical figure wearing a cope and miter, and at bottom two putti

St. John the Evangelist, striding in three-quarter view toward the left and holding a chalice with snakes in his right hand, an eagle stands behind his right leg

The Evangelist St. John writing on the isle of Patmos, with his symbol the eagle with ink-well and pen-case

The Evangelist St. John writing, with his symbol the eagle

St. John, seated and holding a writing instrument to a tablet, an eagle with outstretched wings below his legs, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano

description

Summary

Public domain reproduction of Italian art print, free to use, no copyright restrictions image - Picryl description

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

label_outline

Tags

anonymous 16th century giulio romano agostino veneziano engraving prints after giulio romano john instrument tablet eagle wings legs series evangelists four evangelists agostino veneziano giulio romano italian art high resolution mannerism late renaissance allegorical prints metropolitan museum of art medieval art italian renaissance apennine peninsula public domain christian images
date_range

Date

1518
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

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Topics

anonymous 16th century giulio romano agostino veneziano engraving prints after giulio romano john instrument tablet eagle wings legs series evangelists four evangelists agostino veneziano giulio romano italian art high resolution mannerism late renaissance allegorical prints metropolitan museum of art medieval art italian renaissance apennine peninsula public domain christian images