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Plate 31: view of the column of Trajan, shown with its pedestal dug out from the earth, surrounded by buildings at the base of the Quirinal Hill, Rome, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Plate 37: view of the church of San Bartolomeo all'Isola on Tiber Island, Rome, flanked by bridges, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)

Album met voorstellingen van de ruïnes in Rome, Tivoli, Pozzuolo, en andere plaatsen

Plate 16: The Bridge at Rimini built by the Emperors Augustus and Tiberius (Ponte di Rimino fabbricato da Augusto e da Tiberio Imperatori), from Antichità Romane fuori di Roma

Roman ruins with the horse tamers (Dioscuri) on the Quirinal Hill, Plate 36 from: Discorsi Sopra L’Antichita di Roma

Speculum Romanae Magnificentiae: Ancient Rome, and its Hills, from the West

Speculum Romanae Magnificentiae: Ancient Rome and its Hills, from the West

Vues des Plus Beaux Restes des Antiquités Romaines telles qu'elles subsistent encore à Rome et en divers endroits de l'italie dessinés par Monsieur Barbault et gravés par d'habiles maîtres

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

description

Summary

Public domain scan of 17th-18th century Italian print, free to use, no copyright restrictions image - Picryl description

Renaissance representation of classical ruins was a symbol of antiquity, enlightenment, and lost knowledge. Ruins spoke to the passage of time. The greatest subject for ruin artists was the overgrown and crumbling Classical Rome remains. Forum and the Colosseum, Pantheon, and the Appian Way. Initially, art representations of Rome were realistic, but soon the imagination of artists took flight. Roman ruins were scattered around the city, but frustrated artists began placing them in more pleasing arrangements. Capriccio was a style of imaginary scenes of buildings and ruins.

The Dutch Golden Age was a period from 1581 to 1672, when the Netherlands experienced the "Dutch Miracle", transcended to the foremost maritime and economic power. In 1568, the Seven Provinces started a rebellion against Philip II of Spain, leading to the Eighty Years' War with Spain and the Thirty Years' War between other European superpowers. Protestants moved from the southern to the northern Netherlands, many settled in Amsterdam, transforming a port town into one of the most important commercial centers in the world by 1630. In addition to the migration of Protestants, there were also influxes of refugees who had previously fled from religious persecution, particularly Sephardi Jews from Portugal and Spain, and Protestants from France. Catholics moved in the other direction - to the southern provinces, modern Belgium. North quickly gained the highest literacy rates in Europe, an abundance of capital, the largest merchant fleet in Europe. The Dutch dominated trade in the Baltic Sea, between China and Japan, and with the English colonies in North America. The Dutch East India Company (VOC) was the first multinational corporation, financed by shares that established the first modern stock exchange. The Bank of Amsterdam, the first central bank, was established in 1609. The Dutch Golden Age is the art period dominanted by Rembrandt, Vermeer, Jacob van Ruisdael, and Frans Hals. Some notable artistic styles and trends include Haarlem Mannerism, Utrecht Caravaggism, the School of Delft, the Leiden fijnschilders, and Dutch classicism. 1672 is called a disaster year" when the Dutch Republic was attacked by England, France, Münster, and Bavaria. The invading armies quickly defeated most of the Dutch States Army and conquered part of the Republic.

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Tags

etienne duperac aegidius sadeler ii engraving etching prints after etienne duperac plate view ruins aventine hill aventine hill rome boats river tiber river tiber foreground series antiquity tivoli pozzuoli places and vestigi della antichita roma vestigi della antichita di roma pozzvolo altri luochi altri luochi roman 17th century history of rome high resolution ultra high resolution tiber river metropolitan museum of art apennine peninsula italy
date_range

Date

1606
collections

in collections

Roman Wonders

Prints of Rome's views, buildings and ruins

Dutch Golden Age

Dutch Golden Age Prints and Painting: Still life, Landscape, and Genre Art.
create

Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore River Tiber, Aventine Hill, Pozzuoli

Topics

etienne duperac aegidius sadeler ii engraving etching prints after etienne duperac plate view ruins aventine hill aventine hill rome boats river tiber river tiber foreground series antiquity tivoli pozzuoli places and vestigi della antichita roma vestigi della antichita di roma pozzvolo altri luochi altri luochi roman 17th century history of rome high resolution ultra high resolution tiber river metropolitan museum of art apennine peninsula italy