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Instruments of Human Sustenance (Humani Victus Instrumenta): Agriculture

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Summary

In the manner of the circle of Giuseppe Arcimboldo (Italian, Milan (?) 1527?–1593 Milan)

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

Giuseppe Arcimboldo (1527–1593) was an Italian painter famous for his extravagant paintings of human faces in the form of compositions of fruit and vegetables, often with portrait likenesses. The forgotten Renaissance artist was proclaimed in the twentieth century as a forerunner of Surrealism. This suggests that the artist was well ahead of his time and deserves to be known not only by specialists but also by the general public.

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Tags

giuseppe arcimboldo giovanni francesco camocio giacomo dini engraving prints in the manner of the circle of giuseppe arcimboldo instruments human sustenance human sustenance humani victus instrumenta humani victus instrumenta agriculture 16th century italian art high resolution ultra high resolution mannerism late renaissance metropolitan museum of art medieval art italian renaissance apennine peninsula italy
date_range

Date

1569
collections

in collections

Italian Prints

Set of random Italian prints from NYPL collection

Giuseppe Arcimboldo (1527–1593)

An Italian painter who is best known for creating imaginative portrait heads made entirely out of objects such as fruits, vegetables, flowers, fish, and books.
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Source

Metropolitan Museum of Art
link

Link

http://www.metmuseum.org/
copyright

Copyright info

Public Domain Dedication (CC0)

label_outline Explore Sustenance, Humani, Instrumenta

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Lock, 15th century - Public domain dedication museum photo

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Lycei musici theorico-practici intimatio et epitome Latino-Germanica, hoc est: Explicatio tredecim divisionum monochordi, earumq[ue] ad veteris & novæ musicæ jucundam & scientificam cognitionem ac collationem, & in genere ad usum theorico-practicm componistarum, cantorum & organopœorum accommodatio = Kurtzes musicalisches Kunstbüchlein in welchem auss Erklärung vnd Abtheilung dess Monchordi der rechte Grund so wol die alte bissher unbekandte als heutige Musicam gründlich zu verstehen und künstlich im Componirn und Musicirn anzubringen und zu üben, auch Orgelpfeiffen auss solchen und der Geometriæ fundamentis in gute Proportion zu bringen, und so wol als andere Instrumenta zu stimmen gewiesen wird

Topics

giuseppe arcimboldo giovanni francesco camocio giacomo dini engraving prints in the manner of the circle of giuseppe arcimboldo instruments human sustenance human sustenance humani victus instrumenta humani victus instrumenta agriculture 16th century italian art high resolution ultra high resolution mannerism late renaissance metropolitan museum of art medieval art italian renaissance apennine peninsula italy